Fox News Airs Hour Long Commercial For Anti-Obama Film On Hannity

Fox News has long served as the public relations arm of the Republican Party. Their purpose, as always, is to promote the GOP and the conservative agenda throughout their broadcast day. In pursuit of that mission they regularly feature Republican guests in the friendliest of environments. And whenever there is a conservative cause to promote (i.e. Tea Party, Palin movie, right-wing blog, anti-left messaging, etc.), Fox steps up to take the leading role.

Consistent with this mission, Friday night’s episode of Sean Hannity’s program on Fox News was a blatant infomercial promoting an anti-Obama movie by the people who brought us Citizens United. The crocumentary “The Hope and the Change” consumed the entire hour of Hannity’s program.

Sean Hannity - Hope and Change

The primetime program featured lengthy clips from the film as well as interviews with the film’s creators, David Bossie and Steve Bannon. Bossie is the head of Citizens United, the organization that prompted the abhorrent Supreme Court decision that made it possible for individuals and corporations to donate unlimited sums of cash to political candidates and causes. Bannon is the director of the monumental flop, “Sarah Palin: Undefeated,” a movie that managed to fail miserably despite millions of dollars in free publicity courtesy of Fox News. Bannon went on to take the reins of Breitbart News after the sudden death of Andrew Breitbart, and he somehow succeeded in making the site even more idiotic.

Hannity opened the infomercial with the stark declaration that…

“I don’t say this lightly, but I mean every word of this. This is the most powerful documentary I’ve ever seen in my life.”

That’s quite a testimonial. Hannity didn’t reveal what other documentaries he’s seen, but it’s fair to guess that his second favorite would be “Triumph of the Will,” Hitler’s propaganda film directed by Nazi propagandist Leni Riefenstahl. Now that may seem like an unfair attempt to associate Hannity and the anti-Obama film with the Third Reich, but the film actually incorporates portions of Riefenstahl’s score, and Bossie openly admits to intentionally including the music for effect. When asked about his choice of music Bossie confessed that “There are no accidents in this film.” So the Hitler reference was deliberate on the part of the filmmakers.

Along with Bossie and Bannon, a key figure in the film’s production was Pat Caddell, the former democratic pollster who has become a fixture on Fox News whenever they need someone they can falsely identify as a Democrat who will mercilessly, and dishonestly, savage his former colleagues. Caddell’s role was to assemble a group of disenchanted Obama supporters who could be manipulated to bash the President’s reelection bid.

In fact, the whole focus of the film’s message was that there are some folks who voted for Obama in 2008 who don’t plan to vote for him again. That isn’t exactly an earth shattering revelation. Many people on both sides of the political spectrum change their minds. But the people featured in this film were particularly daft. They expressed their disappointment in the President because he didn’t fulfill their expectations of miraculous healings and the saving of souls. In their own words they seemed to believe that Obama could achieve the impossible, and when he didn’t they abandoned him. That is probably a tiny demographic in America and they are not likely to have a noticeable impact on the election.

By comparison, the Obama campaign just released a video of former Republicans who will be supporting the President in November. Their stories are far more representative of typical moderates who are surprised and appalled by the extremist leanings of the modern Republican Party.

Republicans just adopted a platform for the party’s convention that illustrates how far from the mainstream they have drifted. It includes an anti-abortion plank with no exceptions for rape, incest, or the life of the mother; an immigration plank that calls for “self-deportation;” a plank advocating a return to the gold standard; a provision denying women a role in combat; opposition to same-sex marriage; and support for turning Medicare into a voucher program that will cost seniors thousands of dollars more.

Those are real issues that will drive the voting decisions of rational moderates. The glassy-eyed sycophants plucked out of obscurity by the anti-Obama film crew will have zero effect on clear-thinking voters as they evaluate the agendas put forward by Obama and Romney. What may have an effect, however, are the millions of dollars the filmmakers have promised to spend on advertising their crocumentary. They can finance their campaign with funds acquired from the sort of Super PACs that their Supreme Court decision enabled.

What’s disturbing about this is that they freely admit that their purpose is not so much to promote the film, but to let their ads serve as disguised political messages aimed at disparaging the President and affecting the outcome of the election. The reason that they chose this month to release the film was so their advertising would appear during the campaign season and they could pretend that it was merely marketing for the movie. And I repeat, this is not a conspiracy theory, it is something they specifically admit to and boast about.

Of course, the filmmakers always have Fox News to fuel their hype. The GOP network is more than happy to donate as much time as necessary to promote the movie, just as they have done for prior projects. The Hannity show was just the beginning. The film will officially debut at the Republican National Convention Etch-a-Sketch next week, and there will surely be more segments devoted to the film on Fox News. And while they will help to boost the success of this commercial, for-profit hit piece, it is highly unlikely that Fox will give much time (if any) to the political communication above from the Obama campaign. That would, after all, be too much like actually reporting the news which, as we know, Fox doesn’t do.

Generation Zero vs. Capitalism: A Love Story

Last Night Sean Hannity devoted the entire hour of his Fox News program to the documentary “Generation Zero.” This morning Fox Nation featured it on their web site as a “Must-See” film.

Generation Zero recently made its public debut at the Tea Baggers Ball in Nashville and was subsequently screened at CPAC, where it was introduced by the terminally choleric Andrew Breitbart. The film was produced by David Bossie of Citizens United, the plaintiff in the recently decided Supreme Court case that granted corporations unprecedented financial participation in federal elections. It was directed by Stephen Bannon who, in another life, produced the Sean Penn directed “The Indian Runner.” Don’t tell Bill O’Reilly, who is boycotting Penn’s films.

I haven’t seen this film (it’s not actually been released yet), but its pedigree and cheer leaders reveal something of its intended mission. The web site says the film is not about the failure of capitalism, but it goes on to say that it will “change everything you thought you knew about Wall Street and Washington.” That assertion makes it difficult to separate the movie’s message from the tenets of capitalism. From reviews and discussion of the film, it seems the basic premise is that the current economic meltdown we find ourselves struggling through was caused by the selfishness and egocentrism of the children of Woodstock. This is a peculiar and illogical theory.

It’s a peculiar theory in that it presumes to blame the “Baby Boom” generation for today’s economic catastrophe. But in doing so, the film is really blaming the poor parenting skills of the “Greatest Generation” who, in their zeal to shield their kids from the pain of depression and war, acceded to their every material want and raised them to be shallow and self-indulgent. That’s a pretty harsh condemnation of the generation that survived decades of trauma in the first half of the last century. The filmmakers are essentially charging the generation that fought its way through the economic disasters of the 1930′s and the worldwide conflagrations of the 1940′s with raising their children to be so socially decadent as to lead the nation into near economic collapse. Do the filmmakers really believe that these parents passed no lessons on to their kids about the hardships they endured?

It’s an illogical theory in that it attempts to create linkage between the hippies of the 1960′s and the financial barons of the 1990′s. So much of the rhetoric of right-wing history revisionists relies on castigating the youth movement of the 1960′s. They are portrayed as drug-addled degenerates and dropouts who contributed nothing of value to society. Their preoccupation with trivialities like civil rights, peace, and free love, permanently labeled them as subversive and anti-social. Since when did their reputation get rehabilitated to the point that they are now seen as captains of industry and finance with the blood of our capitalistic empire on their hands? Surely many former hippies went on to successful careers, but I would venture to say that not one of them became the CEO of AIG or Merrill Lynch.

The Baby Boomers that took the helm of big business were the ones that kept their hair short and listened to Pat Boone in the 60′s. They were the hall monitors and the narcs at their prep schools. They were born to wealth and privilege. It was they, who were already inbred with self-indulgence and egotism, who held the reins of power in the 2000′s. It certainly was not a bunch of idealistic, public school, counter-culture, former flower children who somehow grew up to be greedy sociopaths.

It wasn’t a cabal of aging hippies who invented credit default swaps. It was a cooperative of Wall Street pirates and their Washington patrons. It wasn’t the result of permissive parenting, but of submissive regulators and legislators. While Generation Zero dwells way too much on an unrealistic Leave It To Beaver version of the 1950′s, it actually does approach this part of the problem as well. The movie does not neglect the culpability of an entrenched financial class that has no historical memory whatsoever.

Ironically, that’s exactly what Michael Moore presented in “Capitalism: A Love Story.” Moore’s film was an indictment of the coziness between Wall Street and Washington. And it assailed the notion that solutions had to be afforded to the tottering financial institutions, rather than to the suffering citizens who were the victims. So some of the themes in Generation Zero that are now being heralded by the rightist media were previously explored by Moore. But while there are clear parallels between Moore’s Capitalism and Bannon’s Zero, it is unlikely that either side will acknowledge it. The chasm is far too wide to cross. Even on Hannity’s show there was an exchange that came close to recognizing this ideological affinity, but it was ultimately ignored as they broke away to a commercial.

Sean Hannity: Is it the political system that is more corrupt? Because I believe Capitalism works. Capitalism is the answer.
David Bossie, Producer: Clearly Capital Hill is corrupt. Capital Hill is the problem, not Wall Street here.
Stephen Bannon, Director: I think it an inextricably linked network between Capital Hill and Wall Street. [...] You’ve had the American taxpayer, the average, middle-class American, paying taxes to bailout these big firms, and there’s been no change in behavior, no change in structure no change in regulation.

It’s interesting to see Bossie quickly suck up to Hannity and absolve Wall Street of any liability. It’s even more interesting to see Bannon contradict both of them and spread the blame evenly across the econo-political spectrum. But most interesting would be if all the people that go to see Generation Zero would pick up a copy of Capitalism: A Love Story as well. They may realize that Michael Moore is not the demon he’s made out to be by the right. And conversely, Moore might take a look at Generation Zero. If it isn’t stuffed with right-wing polemics and denunciations of 60′s “radicals,” perhaps he could promote it alongside his own movie.

If both of these films tell the same story of overarching corporate greed and government complicity, it would make a compelling double bill.