Stop Hurting America Redux: Free The Daily Show

This is a follow up to my article proposing that the WGA negotiate individually with the production companies of The Daily Show and other comedy talk programs that feature current affairs issues: Stop Hurting America: The WGA And The Daily Show

In that article I made the argument that some of these programs contribute so much to public discourse that their absence was measurably harmful:

“While news programs continue spewing their corporatist, insider views of presidential politics throughout the strike, programs like The Daily Show, The Colbert Report, David Letterman, Saturday Night Live, etc., have become silent. This is not a trivial matter. Many of these programs have assumed a unique role in our culture by highlighting the absurd quirks and contradictions of our politicians and press. The light these programs shine on the political landscape is nowhere countervailed in the dimwitted din of the so-called Mainstream Media.”

“The tenor of our times is too tense to leave to the addle-brained punditry of CNN, Fox, et al. What’s coming round the bend of civic life in America needs to be reviewed and regurgitated by the creative minds that gave us Mess O’Potamia and ClusterF@$k To The White House.”

The day after I posted that article Patric Verrone, the president of the WGA, floated exactly the sort of proposal I was advocating:

“If any of these companies want to come forward and bargain with us individually, we think we can make a deal,”

Well, tomorrow it is going to be made official. The Guild has announced that they intend to invoke a legal right to force producers to bargain with them individually rather than as a group.

“In a letter sent to members on Saturday, negotiators for the Writers Guild of America East and the Writers Guild of America West said: ‘Each signatory employer is required to bargain with us individually if we make a legal demand that it do so. We will make this demand on Monday.'”

“The writers’ move was aimed at breaking what has been, at least in public, a united front by a small number of media conglomerates – General Electric, News Corporation, Sony, Time Warner, The Walt Disney Company, Viacom and CBS – whose entertainment units dominate the Alliance of Motion Picture and Television Producers, an industry bargaining group.”

That “small number of media conglomerates” is dominating a lot more than an industry bargaining group. They overwhelm our social consciousness, polluting our sources of entertainment and information with propaganda and commercialism. This tactic by the writers is encouraging on several levels. It hits Big Media at the core of their strength by dismantling the monolithic front that they use to batter down opponents. It empowers responsible production companies that want to fairly compensate their creative personnel and takes them out from under the shadow of their bigger brothers who never had their interests at heart in the first place.

Most importantly, for those of us concerned about keeping a tighter chain on our politicians and press as we get deeper into the campaign season, it provides hope for a return of The Daily Show and its peers. Every day that passes is a missed opportunity to reveal something new and scandalous that will probably be ignored by the Conventional Media.

AMPTP Gets Punked

A website satirizing the Alliance of Motion Picture and Television Producers has been launched – no doubt by some enterprising and idle writers. They commandeered the domain AMPTP.com and produced a near copy of the producers site. It is absolutely hilarious. Some excerpts:

“While we’re not going to point fingers or assign blame, we do feel justified in saying that they [the writers] are entirely at fault.”

“It is now absolutely clear that the WGA’s organazis are determined to advance their own personal ideologies, political agendas, sexual preferences, barbaric tribal customs, canine wardrobe choices, religious beliefs and blood rituals upon working writers…”

“…we’ve got enough reality shows to choke a horse. Literally – one of the shows is “Can You Choke This Horse?” And for the fall, we’re already working on “Can You Choke This Horse With the Stars?”

I hope I never have to fight these guys. They are brutal.

I’m Going To Disneyland

I thought I was being funny when I made this:



But, as usual, reality trumps comedy: From ashes to ashes, at Disneyland

On Friday, workers at the Anaheim theme park spotted a guest on the ride sprinkling an unidentified substance into the water, prompting them to close the attraction and alert police […] the episode was a case of the surreptitious scattering of human ashes.

Brian De Palma Stirs Bill O’Reilly’s Wrath

On last night’s edition of the O’Reilly Factor, Brian De Palma earned the title of “worst Hollywood person I have ever come across.” Not only that but he is also “vile” and “a true villain” and his new film “Redacted” could, “lead to the deaths of Americans.”

Redacted is an Iraq themed movie that tells a fictionalized version of a true story of American soldiers serving under difficult conditions, and explores how perceptions vary between an event’s participants, witnesses, and the media.

O’Reilly has been railing against this film, which he has not seen, for several weeks. He is enraged that there are scenes that depict American soldiers in a negative light. O’Reilly believes that showing Americans engaging in crimes will motivate our enemies to commit further acts of aggression against us. As if they needed any more motivation. In all likelihood, the opposite is true. Iraqis who see an American film that portrays Americans realistically, even the dark side, will appreciate our commitment to justice. They will be moved by the inherent expression of remorse and sympathy for their loss. It is far more incendiary when politicians and pundits hold pep rallies for troops who commit atrocities and glorify such behavior.

But that injection of reason doesn’t stop O’Reilly from bashing De Palma and Mark Cuban, the film’s producer. De Palma And Cuban have also been feuding over De Palma’s complaint that Cuban ordered modifications to the film. This infighting just gives O’Reilly tingles.

What was interesting about the segment was the guest O’Reilly invited to discuss the movie. Holly McClure was introduced as a film critic. I suppose she is, but the only places her columns appear are the Christian Broadcasting Network and a couple of other Christian networks and web sites. She is also the author of “Death by Entertainment: Exposing Hollywood’s Seductive Power over You and Your Family,” published by Lions Head Press. Lions Head appears to have a roster of three books. They are all Christian-themed and are mostly sold through Christian booksellers. They have no web site that I could find.

What we have here is another favorite strategy of O’Reilly – and Fox News. Locate unknown “experts” with little or no credentials, pluck them from obscurity, slap a mic on their lapel (and a flag pin while you’re at it) and let them nod vigorously in rapt agreement with everything you say. This is how they create a congregation of like-minded true believers who spread their gospel through the mediasphere.

Giuliani: Artists’ Constitutional Interest Minimal


Republican presidential candidate Rudy Giuliani has a record of authoritarian positions on crime, foreign policy and terrorism. His tendency toward dictatorial rule extends even to the arts. In 1997 he argued a case against street artists in New York saying:

“An exhibition of paintings is not as communicative as speech, literature or live entertainment, and the artists’ constitutional interest is thus minimal.”

All America needs now is a president who doesn’t think that art is communication or that it is protected by the Constitution. Welcome to the Dark Ages.

La Cucaracha Comic Hushed In Houston

Lalo Alcarez’ “La Cucaracha” is one of the most insightful, engaging, and downright hilarious comics in the publishing world. He has a somewhat askew take on society, politics and relationships. He is also one of the few successful Latino comic artists in the country who actually incorporates his ethnicity into his daily work.

The Houston Chronicle has just announced that they will be discontinuing La Cucaracha. In the heart of the American southwest, a singular, regionally relevant, voice is being silenced, and a community that is sorely under-represented in the media is again being neglected and disrespected.

Alcarez is a talented artist with a strong following. Earlier this year, when the Los Angeles Times announced that they were ditching La Cucaracha, there was a reader revolt that resulted in the Times reversing their decision the next day and retaining the comic strip. Alcarez is hoping for a similar outcome in Houston.

From his website:

“In a replay of March 2007’s brief firing of La Cucaracha from the pages of the Los Angeles Times…the Houston Chronicle, home of maybe the largest comics pages in the nation, has dumped La Cucaracha and replaced it with a New Zealand based strip about penguins. Now, experts agree that the huge Latino population of Houston, Tejas must have its penguin-themed entertainment, but somehow there is no room for a strip that explores pro-immigrant and Latino-themed issues like La Cucaracha.”

It is simply unconscionable that the Chronicle would drop this strip at this time. We are entering a highly charged election season that already has too few voices that challenge the establishment – especially from the perspective of one of the most significant, and significantly ignored, block of Latino voters. To some degree the Democrats recognized the importance of this community by participating in a Spanish language debate sponsored by Univision. And, of course, they have a viable Latino candidate in Gov. Bill Richardson. Republicans however, refused to appear at a similar debate. Alvarez addressed this issue, and in doing so, demonstrated why it’s so important for his voice to be heard. Who else at the Chronicle is producing editorial cartoons with messages like this one:

You can help to support Alcarez by contacting the Chronicle and asking them to keep La Cucaracha. Public pressure was proven effective at the L.A. Times and it can work at the Chronicle as well. So write or call and express your support for this unique artist and for diversity in the the arts and the media.

Phone: 713-362-3222
Email: comics@chron.com

Boston’s Fake Bomb Hysteria

Once again Boston has shown itself to be a little too tightly wound. What is it that makes these people quiver at the sight of toys and pranks?

The latest episode of skittishness is the arrest of an MIT student who is accused of wearing a “fake bomb” at Logan International Airport. Never mind that the allegedly fake bomb is nothing more than a circuit board with a battery attached. Forget that it was being worn on the outside of a sweatshirt in full view of everyone (not something a terrorist is likely to do). And ignore completely that the student, Star Simpson, is enrolled at MIT where students commonly engage in creative inventions.

The foregoing notwithstanding, Boston’s finest still managed to overreact and assume the worst. This, of course, is not the first time. Back in February, the city ground to a halt because a cable tv network left some litebrite toys around town to publicize the premiere of the Aqua Teen Hunger Force cartoon series. As I said at that time:

“Once again we are reminded of the ever-present danger posed to society by artists. The free exercise of creative expression continues to be amongst the more serious threats to an ordered and manageable population. No wonder responsible governments spend so much of their time and resources suppressing such subversions. Without such efforts we would be forever vulnerable to the horrors of independent thought and action.”

In both incidents, the media became a willing accomplice to this conclusion jumping. Every headline and teaser blasts the words “Fake Bomb” as if there had been an actual determination that this was the intent. A responsible press might have considered describing it as an “electrical device” of unknown purpose. But that wouldn’t grab as many viewers or sell as many papers.

Michael Vick: Flavor Of The Week

I had no intention of weighing in on the Michael Vick dog fighting story, but some of what I’ve read around the InterTubes™ just begs for some enlightenment as to the media’s handling of this.

Lawrence O’Donnell wrote an article at the Huffington Post that he ironically titled “What’s Wrong with Killing Dogs?” The point was to suggest that compassionate people who are outraged by Vick’s treatment of dogs ought to be equally outraged by the inhumane treatment dished out by the beef and poultry industries – to say nothing of hunters and others who kill for sport. O’Donnell correctly observed that people have an irrational preference for the welfare of dogs and an indifference to the suffering of other species. This is an angle that the media has thoroughly ignored.

Let me say, unequivocally, that I think Vick’s activities are disgusting, but I think Dyson Foods is 1000 times more disgusting. I mourn for the dogs that Vick harmed, but I also mourn for every gentle, peaceful cow that ended up in some glutton’s Big Mac. And what of all the birds and fish and what are perversely refer to as “game?” I think everyone who laments the fate of these dogs and does not feel the same about all the other animal victims of mass murder in the this country, are hypocrites.

However, this news eruption is just a new flavor of the “missing pretty white girl” syndrome that our media loves so much. Vick is this week’s Paris Hilton. They’ll exploit him for ratings because of his celebrity, and ignore 100 other atrocities that occur contemporaneously. This story further reveals how the media values one type (race?) of victim to the exclusion of all others. It reeks of a disingenuous compassion with blinders on.

If I thought that the promotion of this story would lead to a deeper examination of animal cruelty in America, I might be consolable. But all the talking heads are concerned with is whether Vick will still have a place in the NFL when he gets out of jail. It’s just pathetic.

Ted Nugent: The Motor City Jackass


You would be hard pressed to find rightest diatribes more offensive than those from the likes of Michael Savage, Ann Coulter, or Glenn Beck, but I don’t think I’ve ever heard as revolting or violent a tantrum as this one by a machine gun brandishing Ted Nugent:


Nugent: I was in Chicago last week I said, “Hey Obama, you might want to suck on one of these, you punk?” Obama, he’s a piece of sh*t and I told him to suck on one of my machine guns. Let’s hear it for them. I was in New York and I said, “Hey Hillary, you might want to ride one of these into the sunset you worthless bitch.” Since I’m in California, I’m gonna find Barbara Boxer she might wanna suck on my machine guns. Hey, Dianne Feinstein, ride one of these you worthless whore.

Republican pundits like to accuse liberals of being haters. It’s an absurd inversion of reality considering the venom that spews from conservative quarters. In fact, studies show that Bill O’Reilly, a frequent accuser, calls a person or group a derogatory name once every 6.8 seconds (see Bill O’Reilly: Propaganda Pimp). But when was the last time you heard a liberal incite lethal violence against leading presidential candidates and other office holders? (Click here to report this threat to the Secret Service).

When Natalie Maines of the Dixie Chicks merely said that she was ashamed that Bush was from the same state as her, the group was hounded by the media, blacklisted by radio stations, and victimized by boycotts and demonstrations. Right-wing outrage over lyrics by rapper, Ludacris, cost him a Pepsi commercial contract. George Clooney, Sean Penn, Barbara Streisand and more, have all felt the sting of the “Shut up and sing” crowd. What do you suppose would have happened if anyone of them had waved firearms in a public concert hall and hurled profanities at John McCain and Rudy Giuliani. And why hasn’t the so-called liberal media risen to assert their so-called moral outrage at this atrocity by a conservative so-called entertainer?

I wouldn’t hold my breath waiting for these martinets of virtue to condemn, with equal vigor, the repellent, and possibly unlawful, rantings of the Motor City (pathologically) Madman. That would require character and consistency, qualities they long ago swapped for intolerance and hostility. Which makes Nugent an ideal spokesman for them.

Update:
For good measure, I thought you might like to see the sort of misogyny that Nugent is expressing on the cover of his new CD “Love Grenade.” A nude woman in bondage on a platter like a pig with a hand grenade in her mouth.

This affirms the obvious hatred he harbors for women. The fact that he feels comfortable offering this as a reward for those who pre-order just compounds the sickness of it all.

Note that Nugent’s recordings are currently released by Eagle Records, which Hoovers describes as the label, “where rockers of yesteryear go to retire.” (email Eagle Records)

Pearl Jam Censored At Lollapalooza By AT&T

If we really needed proof that the Big Telcos are lying through their teeth when they celebrate themselves as defenders of free speech and open access, we couldn’t do better than this. AT&T, the sole provider for the webcast of Pearl Jam’s performance at Lollapalooza, and noted opponent of Network Neutrality, cut out politically charged portions of the band’s performance. I’ll let them tell it via their website:

After concluding our Sunday night show at Lollapalooza, fans informed us that portions of that performance were missing and may have been censored by AT&T during the “Blue Room” Live Lollapalooza Webcast.

When asked about the missing performance, AT&T informed Lollapalooza that portions of the show were in fact missing from the webcast, and that their content monitor had made a mistake in cutting them.

During the performance of “Daughter” the following lyrics were sung to the tune of Pink Floyd’s “Another Brick in the Wall” but were cut from the webcast:

  • “George Bush, leave this world alone.” (the second time it was sung); and
  • “George Bush find yourself another home.”

This, of course, troubles us as artists but also as citizens concerned with the issue of censorship and the increasingly consolidated control of the media.

AT&T’s actions strike at the heart of the public’s concerns over the power that corporations have when it comes to determining what the public sees and hears through communications media.

Aspects of censorship, consolidation, and preferential treatment of the internet are now being debated under the umbrella of “NetNeutrality.” Check out The Future of Music or Save the Internet for more information on this issue. [Ed: Save the Internet has clips of both versions of the song here]

Most telecommunications companies oppose “net neutrality” and argue that the public can trust them not to censor.

And if you can’t trust a giant, multinational, consolidated, communications conglomerate like Ma Bell, who can you trust? AT&T has shown that they cannot be relied upon to manage vital national resources like the Internet. They want to own it and constrain its use to the sole purpose of enriching themselves and shaping public opinion to their liking.


 
 
Don’t let them do it because, as Pearl Jam says…

This Is Not For You!
“And you dare say it belongs to you…to you…
This is not for you
This is not for you
This is not for you
Oh, never was for you…fuck you…”