Another Head Rolls At The Los Angeles Times

The Los Angeles Times is about to get its fourth editor in less than three years. News has leaked from the Times’ newsroom that editor James O’Shea has been sacked for the same reason three of his predecessors were ushered out. O’Shea, who was air-dropped in from the Chicago hive to replace Dean Baquet, was cut for his unwillingness to implement further cuts to the paper’s budget. Publisher David Hiller, another Chicago transplant has been having trouble finding pigeons to carry out his executions.

After three departures that hinged on an editor’s perception that the paper’s viability would suffer under the the publisher’s proposed budget, you might think that someone in the executive suite would set down his martini long enough to become curious as to why all of these editors would prefer to be fired than to go along with draconian cuts.

While each of the former editors had persuasive arguments for retaining, or even expanding, the newsroom’s budget, O’Shea may have had an even better case. He was looking forward to a year that included a presidential campaign as well as the Olympics. That seems like an inopportune time to be pinching pennies. At the time that Baquet was jettisoned, I criticized the move and mocked O’Shea as another corporate ringer brought in to wield the ax. Imagine my surprise to read O’Shea’s farewell message that included this choice morsel:

“Journalists and not accountants should seize responsibility for the financial health of our newspapers so journalists can make decisions about the size of our staffs and how much news remains in our papers and web sites […] When this industry stops relying so much on cuts and starts investing in Journalism, it will prosper because it will be serving the best interests of our readers.”

These actions on the part of the Times’ parent company, Tribune, are neo-Nixonian in that they emulate the famous Saturday Night Massacre. That was the affair where Nixon had to keep firing Justice Department chiefs until he found one that would carry out his order to whack independent counsel Archibald Cox (Robert Bork turned out to be the willing trigger man). Tribune has had to keep fishing for an editor to do their dirty work. O’Shea was their golden boy who was editing the Chicago Tribune before taking the assignment in L. A. But editors here are apparently as expendable as starlets. Now another has fallen, but not nearly as far as the quality and credibility of the Times.

MLK: Every Creative Means Of Protest Possible

Today as we celebrate the memory and legacy of Martin Luther King, Jr., millions of Americans will reflect on the impact his life had. That impact, for many, is very personal. There is much for which to be grateful in the gifts of hope and justice that he left behind. For me there was a speech that was particularly transforming. It was his public entry into the anti-war movement, Beyond Vietnam: A Time to Break Silence. As a twelve year old peace activist and an aspiring artist, one sentence stood out and helped to shape the next 40 years of my life:

“We must be prepared to match actions with words by seeking out every creative means of protest possible.”

That’s one of the first recollections I have of perceiving art as an act of conscience and rebellion. Prior to that I drew a lot of superheroes and hot rods (I was twelve, after all). I had become radicalized, and I knew that at least part of my work had to be devoted to making a better world. A couple of years ago, as a blogger, I put down some of my thoughts and frustrations in this regard.

Art InsurgencyIn Creativism – The Rise Of The Art Insurgency, I presented the case for employing the arts in social movements. My intent was to inspire an uprising of artists to fight back against an ever more repressive culture. Virtually all of the political dialog in this country is limited to politicians and pundits and a media so shallow that a gnat couldn’t bathe in it. Creativity in support of social change was once not a particularly odd concept, but with the rise of right-wing neo-Dark Agists badgering artists to “shut up and sing,” it has become a more hostile endeavor. Artists, however, are not surrendering ground and art lovers should not either. Solidarity with creatives is paramount for progress. They are the emotive flank of our army.

The value of art in movement building stems from the uniquely personal relationship that binds us to works of insight and honesty. Speeches and op/eds will never evoke the intimacy of artistic expression. That’s why, despite protestations of the Cultural Imperialists, artists remain relevant and influential. At it’s best, art inspires, motivates and unites. It’s even better when it incites and provokes.

There is irony in the fact that complaints come from conservative repressives when it is mainly conservatives that blur the lines between creative and public aspirations. While there are many liberal artists that express political views, they rarely run for office. Unlike conservative gate crashers like Ronald Reagan, Arnold Schwarzenegger, Fred Thompson, Sonny Bono, Fred Grandy, George Murphy, etc. Still it’s conservatives who complain that liberal artists are crossing the line and, with an Olympian feat of denial, they never harbor similar complaints toward their own kind. Sean Penn, George Clooney and Angelina Jolie are interlopers who should know their place. But Chuck Norris, Dennis Miller and Charlton Heston are patriots and public policy experts whose input is invaluable. As I wrote in Creativism…

“The time has come to restore the dignity of creativism. We must beat back the repressive forces that would prefer the Dark Ages to the Renaissance. We must recognize the power that speaking the truth brings to our world and ourselves. We must support our creative advocates.”

To that I would add that we must persist in producing thoughtful, provocative work that leads us to a world with more liberty, more peace, more justice, and fuller hearts and bellies. We must confront the censors and the bullies who fear our voices and would silence them. And we must seek new and aggressive forms of distribution that spreads our messages from the Internet to the Interstate and beyond. As the activist/artist Vladimir Mayakovsky said:

“Art must not be concentrated in dead shrines called museums. It must be spread everywhere…on the streets, in the trams, factories, workshops, and in the workers homes.”

And as Dr. King declared, we, as artists, must be prepared to match actions with words and use our talents to manifest a world that reflects our dreams.

Dishonesty In Politics And In Media by Bill O’Reilly

No one can compound stupidity like The Fester, Bill O’Reilly. Last week he assailed John Edwards for his remarks about homeless veterans. O’Reilly, without making any attempt to ascertain the facts, claimed that Edwards “had no clue” and that, if there were any homeless vets, there weren’t very many.

The proof of the veteran’s plight was so easily attainable that O’Reilly had to concede that the problem did indeed exist. But being O’Reilly, that didn’t mean conceding that he was wrong or apologizing. To the contrary, after embarrassing himself with comments that he admits are immature, he demanded an apology from Edwards, the guy whos was right in the first place. His reasoning was based on an element of the debate that he had to invent.

O’Reilly: “Certainly there are homeless veterans, but it’s not because of the economy. It’s mostly because of addiction and mental illness, something politicians can do little about.”

However, Edwards never claimed that the economy was to blame. He only raised the issue of homeless vets to bring attention to the situation and to assert that America can do better. He was looking for solutions, not blame. But even O’Reilly’s made-up excuse exposes his dishonesty and/or stupidity. First of all, if government can do so little about addiction and mental illness, why do they invest so much in programs for precisely that? Secondly, according to experts, mental illness is only one of the contributors to homelessness:

“Mental illness, financial troubles and difficulty in finding affordable housing are generally accepted as the three primary causes of homelessness among veterans, and in the case of Iraq and Afghanistan, the first has raised particular concern.

Iraq veterans are less likely to have substance abuse problems but more likely to suffer mental illness, particularly post-traumatic stress, according to the Veterans Administration. And that stress by itself can trigger substance abuse. “

So O’Reilly was wrong about the problem’s severity, he was wrong about Edwards’ positions, and he was wrong about the causes. And sadly, O’Reilly seems only to be concerned about veterans if they are having financial difficulties. If the problem is psychological or drug related, then to Hell with them. But even on the financial front O’Reilly can’t help but deceive and distort. He claims that amongst those living below the poverty line…

“Ninety-seven percent have a color TV, 78 percent a DVD player, 80 percent an air conditioner, 73 percent a car or truck, 63 percent cable or satellite TV, and 43 percent of poor households in the USA own the home they are living in.”

That nonsense was lifted from the Heritage Foundation’s Robert Rector who for years has been peddling the notion that America’s poor are living large on the taxpayer’s dime. O’Reilly and Rector are using faulty analysis and outright falsehoods to attempt to reincarnate Ronald Reagan’s fictional welfare queens. On August 27, 2007 Rector wrote an article that included the statistics above and arrived at this conclusion:

“Overall, the typical American defined as poor by the government has a car, air conditioning, a refrigerator, a stove, a clothes washer and dryer, and a microwave. He has two color televisions, cable or satellite TV reception, a VCR or DVD player, and a stereo. He is able to obtain medical care. His home is in good repair and is not overcrowded. By his own report, his family is not hungry and he had sufficient funds in the past year to meet his family’s essential needs. While this individual’s life is not opulent, it is equally far from the popular images of dire poverty conveyed by the press, liberal activists, and politicians.”

Rector has been shoveling this garbage for some time and he even plagiarizes himself because the exact same paragraph appears in a nearly identical article he wrote for the Heritage Foundation three years earlier on September 15, 2004. But Rector has bigger problems than self-plagiarism or propagandistic redundancy. His analysis must be purposely deceitful, as it is so far off from even the sources he cites. The tip off was the 97% of the poor who supposedly have a color TV. In fact, that is the percentage of ALL Americans with a TV (does anyone have a black and white TV?).

The statement that “the typical American defined as poor by the government has…” all of the items Rector lists is profoundly ignorant. The survey says only that these items are owned in these percentages, not that all of the poor own all of the items. So some may have a car, and others may have an air conditioner, etc.

The actual stats, according to the Department of Energy study Rector himself footnoted, are 40% have a color TV, 32% a VCR/DVD player, 27% an air conditioner, 27% a car or truck, 26 percent cable or satellite TV, and 13% own their home. That’s a long ways from the lies O’Reilly and Rector are spewing.

On some level though, you have to admire O’Reilly for having the audacity to be so monumentally wrong and still maintain his air of pompous superiority. His ability to acknowledge that Edwards was right but that he, O’Reilly, wasn’t wrong is classically egomaniacal. And using this occasion to expand on his lies about homeless vets and the poor overall perfectly embodies the meaning of the title of his screed: Dishonesty In Politics And In Media by Bill O’Reilly.