AP Seeks Bailout From Shepard Fairey

Obama HopeIn the course of last year’s presidential campaign it was impossible to avoid an image that became irreversibly associated with Barack Obama. The work by Shepard Fairey was everywhere, distributed by the artist, the campaign, and by millions of individuals who, with Fairey’s consent, downloaded and printed the “HOPE” poster and plastered it on every available wall.

Apparently, it was impossible to avoid by everyone except the Associated Press, who seem to have just found out about it and are now seeking credit and compensation. They claim the work was derived from their copyrighted photo. In fact, Fairey admits that the photo was used as the source for his work. The question is whether it was “fair use.”

Now, there are plenty of people who would criticize Fairey for his tendency to take inspiration from the work of other artists. But in this case, the claim is beyond absurd. The derivative work was plainly an artistic representation of the original and was executed as constitutionally protected, free, political speech. And, according to Fairey, it was entirely non-commercial, with proceeds going to the Obama campaign.

This action by the AP is certain to further tarnish the reputation of the Conventional Media that is already suffering from a deficit of respect. You would have to wonder why they waited until after the campaign; after the image was globally recognized; after its inclusion in the Smithsonian’s National Portrait Gallery; for the AP to assert its claim. Are they merely hoping to benefit from the success of the image that was achieved without any effort on their part? Are they so hard-up for cash that they have taken to suing artists to keep their struggling enterprise afloat?

Surely the AP’s legal team is aware that they will have to show that they suffered financial harm in order to claim damages. That will be a hard case to make since, more likely, Fairey’s work has enhanced the value of the AP photo beyond anything they could have accomplished on their own.

McCain NOPEBut the big question here is: Why won’t anyone sue ME? I’ve been working my ass off promoting a variation on Fairey’s theme directed at John McCain. It is derivative of both Fairey’s art and a photo (of which I no longer know the source) that was probably copyrighted, so I have a double infringement liability. Fairey is already a wealthy artist whose work is published, collected, and displayed in galleries and museums. I, on the other hand, am trying to scrape up rent money and put my artwork on bus stop benches or telephone poles or anywhere else it can be seen. I need the fucking publicity!

It must be great to be AP and let somebody else, in fact, millions of somebody elses, do their work for them and then collect after the fact.

The New Face Of The Republican Party

It is now all of two weeks into the administration of Barack Obama, and already the media is heralding the end of the honeymoon. Considering that on the day of the inauguration, Chris Wallace of Fox News suggested that Obama wasn’t actually president at all because of the mis-articulation of Chief Justice Roberts during the oath, I’m not certain that the honeymoon didn’t end before it ever began.

The failure of the Obama presidency should be welcome news to some of his critics. Rush Limbaugh confessed to hoping for such an outcome. That admission created something of a stir, but the result seems to be that Limbaugh has emerged as the new leader of the Republican Party. He has taken his place at the top of the Party’s hierarchy and even allows members of Congress an audience wherein they can profess their allegiance and kiss his ass ring.

Obama recently told a gathering of Congress critters that “You can’t just listen to Rush Limbaugh and get things done.” Obama was criticized by some Democrats because these remarks just serve to elevate Limbaugh by taking him on. I agree with that analysis, but not that it deserves criticism. It can only help Democrats to elevate Limbaugh and make him the logo of the Republican brand.

The rest of the field isn’t much better than Limbaugh. Sarah Palin still pokes her perky head up every few days to keep her name in the news. And Joe the Plumber … er … journalist … er … political strategist just seems to keep finding new ways to embarrass himself and the Party he has come to represent.

GOP alums aren’t helping either. George Bush has moved into Dick Cheney’s secret, undisclosed location and has not been seen or heard since just after Obama’s inauguration (on second thought, maybe that’s how he’s helping). Cheney, on the other hand, has emerged from his lair wearing a sandwich board that says “REPENT! The end is NEAR!”

And, as always, Fox News remains the Public Relations arm of the Republican Party. Glenn Beck has arrived and is settling in comfortably with daily derision directed at Obama and his still forming team. Bill O’Reilly has declared war on the New York Times, presumably because he can’t keep waging his war on Christmas in February – and he must have a war raging at all times. And Chris Wallace, given a brief ten minutes with the President, uses part of it to ask if he is too thin-skinned because he told a joke about Fox News. Obama responded by stating the obvious:

“I think it’s fair to say that I don’t always get my most favorable coverage on Fox, but that’s part of how a democracy is supposed to work. We’re not all supposed to be in lock step here.”

The rightist echo chamber has already seized on these remarks asserting that Obama has insinuated that all of the media, other than Fox News, are in lock-step with the White House. Of course that is not what he said at all, and just watching the various news networks would reveal how shallow that analysis is. What is inescapable is the fact that Fox alone has a lock-step ideology. Despite false claims of liberal bias, other networks have much more diverse programming and personalities. CNN has Lou Dobbs, MSNBC has Joe Scarborough.

Only Fox has a 100% ideologically pure schedule. And it is Fox that is home to the Limbaughs, Palins, Wurzlebachers, Becks, Hannitys, O’Reillys, etc., who, due to the absence of real political leadership, are the new faces of the Republican Party.

The Fox News Conservative Book Promotion Channel

Anyone who watches Fox News with any frequency is painfully aware that it is little more than a marketplace for rightist propaganda and rancor. But lately, I noticed another kind of hucksterism that is rampant on the network. Several of their regular anchors and contributors are identified as authors in the graphics at the bottom of the screen. This happens often enough that I began to wonder just how widespread this practice of co-promotion of TV and publishing was. As it turns out, it is pretty damn widespread. If you were to populate your library with books by Fox News personalities, you would have to purchase all of these – to start:

Bill O’Reilly
A Bold Fresh Piece of Humanity
Culture Warrior
The O’Reilly Factor
Kids Are Americans Too
The O’Reilly Factor for Kids
Who’s Looking Out for You?
The No Spin Zone

Dick Morris
Fleeced
Outrage
Rewriting History
Power Plays: Win or Lose
Because He Could
Off with Their Heads
Condi vs. Hillary: The Next Great Presidential Race

Michele Malkin
Unhinged: Exposing Liberals Gone Wild
In Defense of Internment
Invasion

Mike Straka
Grrr! Celebrities Are Ruining Our Country

Sean Hannity
Deliver Us from Evil
Let Freedom Ring

Glenn Beck
The Christmas Sweater
An Inconvenient Book
The Real America

John Gibson
The War on Christmas
Hating America
In Defense of Religion

Laura Ingraham
Power to the People
Shut Up and Sing
The Hillary Trap

Major Garrett
The Enduring Revolution: The Inside Story of the Republican Ascendancy and Why It Will Continue
The 15 Biggest Lies in Politics

Ann Coulter
Guilty
Slander
Godless
Treason
If Democrats Had Any Brains, They’d Be Republicans
How to Talk to a Liberal (If You Must)
High Crimes and Misdemeanors

Bernie Goldberg
A Slobbering Love Affair
Crazies to the Left of Me, Wimps to the Right
110 People Who Are Screwing Up America
Bias
Arrogance

James Rosen
The Strong Man

Greta Van Susteren
My Turn at the Bully Pulpit

Updated to add:
Fox News Washington, D.C., deputy managing editor, Bill Sammon
At Any Cost: How Al Gore Tried to Steal the Election
Fighting Back: The War on Terrorism from Inside the White House
Misunderestimated: The President Battles Terrorism, Media Bias and the Bush Haters
Strategery: How George W. Bush Is Defeating Terrorists, Outwitting Democrats, and Confounding the Mainstream Media.
The Evangelical President: George Bush’s Struggle to Spread a Moral Democracy Throughout the World

This a wholly unprecedented marketing partnership between a so-called news organization and a right-wing political crusade. The books being plugged by the Fox spokesmodels are hardcore partisan tracts that all reflect the same regressive ideology. They have implemented a campaign that blankets their airwaves with pitches for published opinion pieces that are mostly dishonest, manipulative, and overtly hostile.

So where is the other side in this debate? Of course there are no anchors or hosts that lean even modestly left on the “fair and balanced” network. But even amongst their pseudo-liberal commentators like Kirsten Powers, Bob Beckel, or the recently departed Alan Colmes, you would be hard pressed to turn up a handful of literary works. Even so, I have never seen any of their limited line advertised on the air. Conversely, grousers like O’Reilly hawk their books on every broadcast. And you’ll find that appearances from the Coulters and Goldbergs increase coincident with the release of each new product. As for the other networks, there are a few authors scattered about, like Lou Dobbs, but the shelf space they would consume would be a mere fraction of the Fox Book Club.

The truly astonishing thing about all of this is that anyone would want to read (or watch) any of these pathetic characters to begin with. They represent a collection of the world’s most ill informed, logic deprived, truth averse losers in modern media. Bernie Goldberg, the fired CBS alum, is an unrepentant propagandist who writes books about media bias. Well, I guess he should know. Major Garrett, Fox’s White House correspondent, presciently penned a tome with the subtitle of “The Inside Story of the Republican Ascendancy and Why It Will Continue.” That was published just prior to the Democratic takeover of Congress in 2006, followed up in 2008 with additional congressional gains and an historic White House victory. Good call, Major

But my favorite is the Clown Prince of Fox, Dick Morris. His 2006 book, “Condi vs. Hillary,” predicts the prospects for the commencing presidential election. Here is a sample of his astute analysis from the introduction to the book:

[T]here is no doubt that Hillary Clinton is on a virtually uncontested trajectory to win the Democratic nomination and, very likely, the 2008 presidential election. She has no serious opposition in her party […]

The stakes are high. In 2008, no ordinary white male Republican candidate will do. Forget Bill Frist, George Allen, and George Pataki. Hillary would easily beat any of them. Rudy Giuliani and John McCain? Either of them could probably win, but neither will ever be nominated by the Republican Party.

So Morris got the Democratic nominee wrong. He got the Republican nominee wrong. And the Republican who Morris said could win if he were nominated actually lost. It is on the strength of this sort of analysis that Morris gets asked back to provide additional insights.

The truth is, it doesn’t matter on Fox (or almost any of the TV news nets) if you’re wrong. The only thing that matters is that you faithfully regurgitate the conservative dogma and talking points. If you do, then you will have a job for life, and your books, web sites, and other media spew will become part of the marketing machine that props up conservatism. It’s an elegantly parasitic relationship. TV exposure begets propaganda which begets book deals which begets TV exposure which begets propaganda, ad infinitum.

And at the center of it all is Rupert Murdoch’s News Corp., a vertically integrated media empire that channels disinformation throughout it’s layers of television, radio, newspapers, magazine and book publishers, and the Internet. This complex web of entanglements insures multimedia distribution of the right wing’s political philosophy. Each props up the other to produce an architecture of lies in support of their lust for power and their Utopian dream for social Darwinism. Goebbels would have been proud.

A Stimulus Bill For The Arts

As the economy continues to wobble, and Americans face the bleakness of a looming depression, Washington is cobbling together a stimulus package designed to restore the economy and create jobs. The overwhelming majority of the $850 billion proposal is allocated to infrastructure spending and the rescue and reform of financial institutions and the manufacturing base.

Setting aside the merits of the bill as a whole, which reasonable people can debate, the political response to it is shaping up as just another partisan dogfight. Republicans are flailing away at anything they think they can disparage as wasteful, whether or not it actually is.

One example of this, that is close to my heart, is a $50 million grant to the National Endowment for the Arts. That amounts to about 0.006 of one percent of the total bill. That hasn’t stopped Republicans like Mike Pence from trying to use it to torpedo the whole package. But this minuscule appropriation actually has a valid purpose and can produce value that far exceeds its cost. While it’s easy for Dark Agists in Washington to target the arts for political gain, the truth is that art in our communities and schools is essential to both our economic and mental health.

In our efforts to get America working again, it should be remembered that artists are being hurt by the present economic slump along with everyone else. Perhaps more so, in that they are often the first to be cast off by belt-tightening employers and consumers. As such, they are no less deserving of a place in the recovery.

In the last depression, Franklin Delano Roosevelt created the Works Progress Administration which, amongst other things, created work for 40,000 American artists. Those jobs resulted in projects that lifted the economic prospects of their communities by making them more livable and promoting trade and tourism. And they also contributed to a cultural Renaissance by documenting society’s pain, struggles, and victories. In addition there was an emphasis on arts education, which produced a generation of more well-rounded and literate citizens with an appreciation for the arts and the solace and inspiration they invoke.

Support for the arts is a critical part of our nation’s recovery and its character. It is what defines and preserves our history and our spirit. It propels us forward in good times and consoles us when hardships weigh us down. It is our essence, our connection to one another, to our ancestors, and to our heirs.

John Cavanagh of the Institute for Policy Studies is spearheading a campaign to advance government support for the arts. He is calling for more funding as well as a cabinet-level Secretary of Arts and Culture. The online petition for this movement already has over 4,600 signatures. You can add yours here: One Percent for the Arts