Pro-Censorship Fox News Says Government Should Seize Profits From Snowden Biopic

Taking their propaganda business model one step closer to police state fascism, Fox News is now advocating government censorship of film producers for projects that challenge their right-wing world view. This became all too apparent on today’s episode of Fox & Friends during an interview with Tom Fitton, the president of the ultra-conservative Judicial Watch group.

Fox News Snowden

The “Curvy Couch” potatoes of Fox & Friends aired a transparently hostile segment (video below) on director/producer Oliver Stone’s upcoming biographical film about Edward Snowden, the systems administrator turned whistle-blower, who leaked documents that revealed the NSA’s mass surveillance programs. The segment began with the trio of co-hosts suggesting that Stone’s film “could violate federal law” and that “the DOJ may be able to seize [its] profits.” The first question Fitton was asked was specifically about that possibility. He responded:

“Well, if they were interested in pursuing where these profits were going and who is funding this movie, because Oliver Stone was working with Mr. Snowden who had no right to the information he had. As a fugitive he’s under indictment. And typically you can’t benefit from moneys that you may earn from stealing government property and betraying your country.”

Notice that Fitton did not offer any evidence that Snowden was benefiting from the film. He merely planted the suggestion and inferred that Stone’s working with him was in itself suspicious. Although any competent film maker would seek to get first hand accounts from the subject of a biopic if that subject were available.

Notice also that the outrage expressed by Fitton, and shared by the Foxies, for someone who “stole” information was never shown toward the thieves who hacked the Democratic National Committee. And those thieves actually were working for a foreign government (Russians) who had hostile intentions toward the U.S. Undeterred by reason or patriotism, Fitton went even further with his baseless inferences against Stone:

“Mr. Stone knew something was up with respect to Mr. Snowden because he made a point of saying that ‘I stuck to making this movie in Munich,’ because he was, quote, ‘afraid of the NSA.’ If he was doing a regular movie what would he have been afraid of?”

First of all, there is nothing unsavory about making a film in Munich, especially when it places you 3,000 miles closer from your home base in New York to your primary source in Moscow. Secondly, the very topic of the film validates any concern Stone might have had about interference from the NSA.

Most importantly, Fitton’s assertion that Stone should have nothing to fear if he were making a “regular” movie (whatever that is), is reminiscent of the assurance from authoritarians that, so long as you’re not doing anything wrong, it shouldn’t bother you if the government reads your email, listens to your phone calls, or searches your bedroom closet. What are you afraid of, comrade? The absurdity of Fitton’s comment even seemed to make Fox’s co-host Tucker Carlson nervous. He gingerly asked:

“So I’m not defending Oliver Stone, or of course Snowden, but the NSA did spy on Americans who had nothing to do with terrorism, so maybe Stone’s not a total paranoid. But more to the point, every news organization in America reprinted information that Snowden stole. So by the standard you just held, should every news organization also be liable for abetting a criminal?”

Fitton’s defensively knee-jerk response to this was “Not necessarily.” He reiterated that Stone’s meetings with Snowden somehow made the whole relationship an unholy conspiracy. According to Fitton “Snowden is no whistle-blower,” and his actions were tantamount to “treachery.”

At this point Fox’s co-host Pete Hegseth chimed in that “There’s no doubt that Snowden’s disclosure helped groups like Al Qaeda and others.” And once again, he provided no evidence for such a serious charge. But he did gave Fitton the opportunity to present his own wingnut theory that “The Obama administration is no fan of our nation’s security.” Fitton is obviously in the camp that regards Obama as a foreign-born Muslim terrorist sympathizer.

The notion that the federal government is empowered to confiscate profits from a filmmaker, based on the content of the film, is a blatant violation of the principles of free speech. It is a breach of constitutional liberties and merely threatening to do so would have a chilling effect on the rights of free people. It is by definition censorship.

The fact that Fox News would provide a platform for someone advocating this, and then fail to repudiate it, is indicative of Fox’s affinity for rightist tyranny. And it’s further proof that the mission of Fox News has nothing to do with the pseudo-patriotic image they attempt to manufacture for themselves and sell to their dimwitted audience.

Please do visit the Snowden film website and watch the trailer for the movie that is coming out September 16.

How Fox News Deceives and Controls Their Flock:
Fox Nation vs. Reality: The Fox News Cult of Ignorance.
Available now at Amazon.

Bill O’Reilly’s God Gets Clobbered At The Box Office

Last week Bill O’Reilly observed that two ideologically contrasting movies were about to be released. One was the liberal bashing An American Carol in which O’Reilly has a small part ( Note to BO: There are no small parts, only small actors minds). The other was Bill Maher’s docu-comedy Religulous.” O’Reilly, whose analysis of media is notoriously shoddy, couldn’t help but speculate as to the reception these films would receive:

“It will be very interesting to see which movie wins at the box office. Will the pagans score big? Or will the first conservative satire ever clobber the atheists?”

Apparently the Pagans and Atheists have prevailed. At least they didn’t get clobbered. After a week in general release the two films are virtually tied at about $4.5 million. However, Carol opened in 1,639 theaters while Religulous opened in only 568. So Religulous outperformed Carol on a per-screen basis by over 300%.

These results must surely be unwelcome news for O’Reilly (and God). As for Maher, O’Reilly advises him to “pray for a long life.” O’Reilly even takes a swipe at Oliver Stone’s precarious salvation status. Stone’s biopic of George Bush, “W.” will arrive at theaters next week.

“I’ll make a bold prediction: Many critics will love it! Can you imagine anyone sticking up for Mr. Bush at this point in time?”

I’ll make a bold prediction too: Many critics will hate it! I know, I’m really going out on a limb. The fact that O’Reilly thinks that a negative review equates to “sticking up for Mr. Bush” shows just how deeply degraded his cognitive skills have become. He can’t seem to comprehend that critics may base their reviews on their impressions of the film’s qualities. And O’Reilly has previously expressed his paranoid perspective of the film critics community as being hopelessly liberal. He arrived at this conclusion because a majority of critics whom he asked about their ideological leanings declined to answer. Therefore, in O’Reilly’s dementia, they must be clandestine socialists bent on ripping America apart.

It must be getting harder and harder to be Bill O’Reilly – an egotistical demagogue who can’t seem to win even with God on his side.

Update: After four weeks in release, An American Carol has earned $6.9 million. Religulous has earned $10.7 million. So Religulous has earned 55% more despite playing in one third the number of theaters and costing one tenth the amount to produce.

Oliver Stone Channels Frank Capra For Bush Pic

Oliver Stone, the director of JFK and Nixon, is setting his sights on another president. He has begun work on a film chronicling the life and times of George W. Bush.

Bush the Movie

Variety reports that Stone is “not looking to make an anti-Bush polemic.” Too bad. Although any attempt to portray Bush honestly will look like a smackdown anyway. Stone is quoted in the article as saying…

“I have empathy for Bush as a human being, much the same as I did for Castro, Nixon, Jim Morrison, Jim Garrison and Alexander the Great […] I want a fair, true portrait of the man. How did Bush go from an alcoholic bum to the most powerful figure in the world? It’s like Frank Capra territory on one hand, but I’ll also cover the demons in his private life […] It includes his belief that God personally chose him to be president”

It’s certainly an intriguing story: An alcoholic bum is chosen by God to lead a nation into war, financial ruin and international ill repute. It has Capra written all over it. In fact if you look at Capra’s body of work you can almost find the Bush story already therein:

Bush the Movie