Sally Field’s Emmy Speech Uncensored

In accepting her Emmy award for Outstanding Lead Actress in a Drama Series for her role as the matriarch in “Brothers and Sisters”, Sally Field delivered an impassioned tribute to mothers everywhere in a message that spoke of world peace.

Unfortunately, it was too much for the censors at Fox who cut Field’s comments at a critical point.

The video above is from the Canadian broadcast that aired the speech unedited. The nannies at Fox snipped the remarks for U.S. viewers as Field said, “If mothers ruled the world, there wouldn’t be any…” The expunged ending of the sentence was, “god-damned wars in the first place.” Was it because Fox thinks that Americans are just too fragile to be exposed to such fiery language? Was it because they were seeking to suppress legitimate dissent in a public forum? Tom O’Neil at the Los Angeles Times reports that it may not have been a matter of shielding the network from liability for broadcasting an obscenity:

“Technically, Field’s censored words are not profane. A 2004 FCC ruling specifically stated no objection to the use of “god damn” on TV when making a judgment on the uproar over Bono swearing at the Golden Globes in 2003 where he used more colorful language.”

Backstage, Field spoke with reporters and responded to the controversy that was already swirling:

“I have no comment other than, ‘Oh, well.’ I said what I wanted to say. I wanted to pay homage to the mothers of the world. And I very, very seriously think that if mothers ruled the world we wouldn’t be sending our children off to be slaughtered.” […] “If they bleep it, oh, well. I’ll just say it somewhere else.”

This is the second instance of Emmy censorship this season, following Kathy Griffin’s remarks a night earlier when, mocking award winners who give credit to God for their victory, Griffin said that, “…no one had less to do with this award than Jesus.” Isn’t it interesting that in both occurrences of a clampdown on free speech, a reference to God was a key factor?

Networks Refuse To Air Liberal Ads, Too

John Hinderaker at the Power Line blog is expressing some selective outrage over the alleged refusal of MSNBC and CNBC to air ads by a pro-war shadow press office for the White House. Led by former Bush press secretary, Ari Fleischer, Freedom’s Watch is seeking to target congressional members who aren’t sufficiently hawkish by placing ads that ask viewers to call their representatives and voice their support for the President and the war.

Hinderaker has republished a letter from Bradley Blakeman at Freedom’s Watch (FW) to NBC that says in part…

Your history of airing other issue advocacy advertisements makes the denial of FW advertisements troubling and raises the issue of whether your denial is based on an editorial disagreement with FW’s message.

NBC has yet to respond to the complaint so it is unknown at this time what their reasons for declining the ad might be, if in fact it was declined. However, both Hinderaker and Blakeman should be commended for their commitment to free speech. The only problem is that there is scant evidence that they exhibited similar concern for liberal victims of censorship on the commercial airwaves. Did they ever speak out against these abuses:

GOP Warns TV Stations Not to Air Ad Alleging Bush Mislead the Nation Over Iraq
Attorneys for the Republican Party are warning TV stations not to air a new commercial by the Democratic National Committee that charges President Bush misled the country in the lead-up to the invasion of Iraq.

NBC, CBS, ABC Reject Ad Criticizing Their News Coverage
American Progress created a television advertisement for BeAWitness.org, our netroots campaign that calls out the television news media for their deplorable coverage of the genocide in Darfur. Over the last few days, three Washington DC television affiliates, NBC-4, CBS-9, and ABC-7, informed us that they refuse to air the ad.

Prickly Peacock Nixes Chicks
The Weinstein Co. is claiming that NBC and the CW have refused to air national ads for the new Dixie Chicks docu “Shut Up & Sing.”

CBS, NBC Refuse to air Church’s Television Advertisement
The CBS and NBC television networks are refusing to run a
30-second television ad from the United Church of Christ because its
all-inclusive welcome has been deemed “too controversial.”

CNN, NPR Refuse Ads for Assassination Film
Two major U.S. news outlets, CNN and National Public Radio, will not air advertisements for a controversial movie depicting the assassination of President Bush, citing the film’s content, network spokeswomen said Tuesday.

Bush Helps CBS, CBS Helps Bush
While advertising industry sources say CBS will air a pair of advocacy commercials prepared to advance the agenda of the White House Office of National Drug Control Policy, the network has refused to accept an advertisement prepared by critics of the man who currently occupies the White House.

When Might Turns Right
L.A. Weekly has learned that CBS, NBC and ABC all refused Fahrenheit 9/11 DVD advertising during any of the networks’ news programming. Executives at Sony Pictures, the distributor of the movie for the home-entertainment market, were stunned. And even more shocked when the three networks explained why. “They said explicitly they were reluctant because of the closeness of the release to the election.”

ABC Refuses Outfoxed Ad, Censors Boston Legal
[T]hey have refused our money, refused to make suggestions to the ad so they would run it, and in short have said no!

Networks Refuse To Air Soldier Ad
Now a non-partisan, pro-soldier activist group is having trouble getting an ad featuring a wounded soldier on the air. Operation Truth executive director Paul Rieckhoff told GNN, “the bottom-line is there are some networks who don’t want to hear the truth because the truth is a little too abrasive for people to handle.”

Fox and CBS Refuse To Air Condom Ads
…Fox and CBS networks recently refused to broadcast condom advertisements. Had they somehow missed the memo that there are 19 million new cases of sexually transmitted diseases (STD) each year…

To the hypocrites on the right, free speech is reserved for the narrow constituency of the elite and the sycophants of the powerful. To any objective observer it is obvious that the media has an historical pattern of tipping the scales against progressive views. And this applies to news content as well as to advertising.

I generally lean heavily in favor of unfiltered and unfettered expression, but FW’s croc tears just don’t make me misty. I would be a little more sympathetic to FW’s complaint had anyone connected to it ever lifted a finger in support of free speech in any context other than that which is in their own interest.

It would also help if the ad in question weren’t so deceptive. At the end of ad there is a telephone number displayed for viewers to call Congress and express their opinion. But in a perverse game of bait and switch, the number actually connects to an operator who asks if you agree with the ad. If you do, your call is patched through. If you do not, they hang up on you. I would not be surprised if that is the reason NBC hung up on FW.

Pearl Jam Censored At Lollapalooza By AT&T

If we really needed proof that the Big Telcos are lying through their teeth when they celebrate themselves as defenders of free speech and open access, we couldn’t do better than this. AT&T, the sole provider for the webcast of Pearl Jam’s performance at Lollapalooza, and noted opponent of Network Neutrality, cut out politically charged portions of the band’s performance. I’ll let them tell it via their website:

After concluding our Sunday night show at Lollapalooza, fans informed us that portions of that performance were missing and may have been censored by AT&T during the “Blue Room” Live Lollapalooza Webcast.

When asked about the missing performance, AT&T informed Lollapalooza that portions of the show were in fact missing from the webcast, and that their content monitor had made a mistake in cutting them.

During the performance of “Daughter” the following lyrics were sung to the tune of Pink Floyd’s “Another Brick in the Wall” but were cut from the webcast:

  • “George Bush, leave this world alone.” (the second time it was sung); and
  • “George Bush find yourself another home.”

This, of course, troubles us as artists but also as citizens concerned with the issue of censorship and the increasingly consolidated control of the media.

AT&T’s actions strike at the heart of the public’s concerns over the power that corporations have when it comes to determining what the public sees and hears through communications media.

Aspects of censorship, consolidation, and preferential treatment of the internet are now being debated under the umbrella of “NetNeutrality.” Check out The Future of Music or Save the Internet for more information on this issue. [Ed: Save the Internet has clips of both versions of the song here]

Most telecommunications companies oppose “net neutrality” and argue that the public can trust them not to censor.

And if you can’t trust a giant, multinational, consolidated, communications conglomerate like Ma Bell, who can you trust? AT&T has shown that they cannot be relied upon to manage vital national resources like the Internet. They want to own it and constrain its use to the sole purpose of enriching themselves and shaping public opinion to their liking.


 
 
Don’t let them do it because, as Pearl Jam says…

This Is Not For You!
“And you dare say it belongs to you…to you…
This is not for you
This is not for you
This is not for you
Oh, never was for you…fuck you…”


First Amendment Repealed For Students

A report in the Chronicle of Higher Education states that the 10th Circuit Court of Appeals ruled against the former editors of the student newspaper at Kansas State University in a First Amendment case:

“The students asserted that the university had violated their First Amendment rights by removing their faculty adviser from the newspaper staff following criticism of the Collegian’s coverage of minority issues.

The judges ruled that the plaintiffs’ status as graduates made their claims moot because, as alumni, they are not subject to censorship by the university.”

What an atrocious ruling. How can a First Amendment violation be wiped away just because the victim’s academic status has changed? There was still a violation. This ruling would effectively repeal the First Amendment for students because in almost every case the student will have graduated before the case comes to trial. Knowing that, the university would be able to censor students with impunity.

Would this ruling extend to victims of racial discrimination who graduate before the court rules? Would it extend to employees of a company whose rights were violated if they no longer worked for the company when the trial took place? Would every violation of the Constitution be rendered moot just because the relationship between the victim and the violator had changed?

This ruling by a three member panel of the 10th Circuit is nothing but an unconstitutional constriction of long-held civil liberties. It is an attempt to repeal the Bill of Rights. It must be struck down by the full court, or the Supreme Court, without ambiguity.

The Fear Of Censorship

John Roberts has been CNN’s senior national correspondent and its anchor of the awkwardly-named This Week at War (sounds like a VH1 Top 20 Countdown). He was recently named a new co-host of CNN’s American Morning. In his former position at CBS he served as the network’s White House correspondent and was embedded with Marines during the invasion of Iraq. Now, in an interview with Broadcasting & Cable, this experienced and connected professional speaks out about the handling of the coverage of the war in Iraq and, despite his participation, he has some rather unflattering critiques of what transpired.

In the article, Roberts concedes that the media was unprepared to properly cover events on the ground and should have been more vigilant in the run-up to the war. But by far the more notable observation that Roberts imparts is one that reflects on current coverage:

“If we showed people the full extent of what we see every day in Iraq, we would either have no one watching us because they couldn’t stand to see the pictures, or we would get so many letters of complaint that some organization would come down on us to stop.”

With current polls showing that two thirds of the American public are already opposed to the war in Iraq, the notion that we have not yet reached the nadir of our disapproval is somewhat unsettling. Especially if the reason is that, as Roberts contends, the “full extent” of what the press sees every day has been withheld from us by a media establishment that is afraid of mail and of losing viewers. And I get no consolation from Roberts’ informing me that things are much worse than I ever imagined.

Indeed, the pictures that are presently darkening our TV screens with bloodshed, blasts, and blackened smoke, are enough to sow depression in the most optimistic amongst us. But that is not sufficient reason for responsible journalists to soft-peddle even a harsh reality. In an open democratic society, citizens need to be fully informed because, contrary to the monarchal delusions of President Bush, we are the deciders. If exposure to the truth produces more dissatisfaction, it is not up to editors and programmers to shield us from our own tender sensitivities. That is not the way to cultivate an informed electorate. That is not the way to promote Democracy.

The public’s appetite for this war has steadily declined over the past four years and would likely have declined further and faster had the news been presented impartially and honestly. In fact, we might never have gone to war in the first place if the vigilance of which Roberts spoke had been practiced at the outset by a conscientious and ethical press corps.

There are two problems (at least) with Roberts’ statement above. One is that he gives too much weight to the notion that Americans don’t have the stomach to manage the nation as our Constitution requires. The other is that his fear that “some organization” would put a stop to honest, unfettered reporting, resulted in that fear becoming manifest. The fear of censorship produced censorship and the people were deprived of knowledge. The only organization that profited from this suppression is an administration that was predisposed to execute a war of aggression and preferred to avoid the pesky interference of the will of the people.

To paraphrase Roberts:

If we, the people, show the full extent of what we see and feel every day about Iraq, they would know that we are watching, and they would get so many letters of complaint that our organization of citizens would come down on them to stop suppressing the truth; stop embracing unscrupulous pseudo-leaders; and stop this god-awful war.

This practice of Nanny Journalism is all too common in American media. They think we can’t handle the truth. But it’s funny (by which I mean pathetic) that they keep coming back after the fact to confess their mea culpas.

Iran, Iraq, America: Where Is The Press More Free?

In a tale of three troubled and repressive regimes, there is news today of a puzzling variation of values. Stories from a trio of nations put on display the character of the media in our world and show how that world has been turned upside down.

The Iran Story:
The Associated Press reports that two pro-reform newspapers, which had previously been shut down, are now being permitted to resume publication.

“The decision to allow the papers to reopen appeared to reflect a feeling among Iran’s top leadership — made up of Shiite clerics — that the country must allow a margin of expression for the opposition amid mounting discontent with Ahmadinejad at home. The papers were allowed to resume publishing by a new order from the judiciary, which is controlled by the clerical leadership […] The clerical leadership may be hoping the return of some reformist newspapers will provide a safety valve for the discontent.”

The Iraq Story:
In Iraq, however, the press is being prohibited access to scenes of violence, which would make it near impossible to report on the conduct of the war. The result, of course, will be that the citizens of Iraq, as well as the citizens and lawmakers in the United States, will have even less of the information that is so crucial to their/our lives.

“In a move sure to provoke open contempt and a firestorm of protests from journalists and news organizations, the Iraqi government will soon routinely ban journalists from the sites of bombings and other violent incidents, Iraqi Interior Ministry Operations Director Brigadier General Abdul Karim Khalaf announced today.”

When a theocratic nation like Iran, that is known for abusing and jailing its critics in the press, can show up their Iraqi neighbors, who are supposed to be emblems of freedom’s virtue, as proffered by their American benefactors, there is something terribly wrong going on. But sadly, it isn’t terribly surprising.

The America Story:
Here at home, the Pentagon has announced that soldiers will not be allowed to access Internet sites like YouTube, MySpace, and others.

“Soldiers serving overseas will lose some of their online links to friends and loved ones back home under a Department of Defense policy that a high-ranking Army official said would take effect Monday.”

The soldiers will also be losing the opportunity to relate their experiences to a world that is being kept in increasing darkness. If reporters are not permitted to document the realities of this war, and soldiers are likewise silenced, the truth becomes an evermore distant memory. The White House frequently complains that the good news from Baghdad never gets reported. Now the Pentagon is making sure that those with the best perspective will be mute. What does that say about the Pentagon’s confidence in the stories that soldiers might tell.

With the muzzling of American soldiers and the censorship of the reporters in Iraq, this would have been a bad day for the media were it not for Iran’s demonstration of liberty for the press. How bizarre is that?

U. S. Military Justifies Censorship

Last week it was reported that American soldiers in Afghanistan destroyed photos and videos taken by journalists in the aftermath of a suicide bombing. Witnesses reported that the Americans were firing indiscriminately at pedestrians and vehicles as they rushed from the scene. The photos and videos were said to have documented civilian casualties.

Now the military has responded to inquiries regarding their interference with the local media. Col. Victor Petrenko, chief of staff to the top U.S. commander in eastern Afghanistan, said:

“Investigative integrity is one circumstance when civil and military authorities will reluctantly exercise the right to control what a journalist is permitted to document.” […and…] “When untrained people take photographs or video, there is a very real risk that the images or videography will capture visual details that are not as they originally were. If such visual media are subsequently used as part of the public record to document an event like this, then public conclusions about such a serious event can be falsely made.”

The Associated Press, responds on behalf of its reporters, who were amongst those whose work was confiscated:

“That is not a reasonable justification for erasing images from our cameras. AP’s journalists in Afghanistan are trained, accredited professionals working at an appropriate distance from the bombing scene. In democratic societies, legitimate journalists are allowed to work without having their equipment seized and their images deleted.”

The Army’s justification is not just unreasonable, it is entirely devoid of logic. If “investigative integrity” was at issue, the reporter’s visual records would be invaluable. By their actions the soldiers destroyed important and irreplaceable evidence. If the recordings proved to be tainted or unreliable, that could have been ascertained in the course of the investigation. Now, no one will ever know. It is the Army that has degraded investigative integrity and, in the process, trampled on the rights of journalists and citizens and all those who honor a free press. But that’s not how they see it:

“We are completely committed to a free and independent press, and we hope that we can help encourage this tradition in places where new and free governments are taking root. It so happens that on these two recent occasions, military operational or security requirements were compelling interests that overrode the otherwise protected rights of the press.”

So they are completely committed to a free and independent press unless they decide not to be. In which case, destroy all documentary records first so no questions can be asked later. If that’s their idea of encouragement, I’d sure hate to see what repression looks like.

NBC: Shut Up And…Oh Just Shut Up

Following the recent announcement of censorship by CNN and NPR when they refused to air ads for the film, “Death of a President,” it seems the dawn is not yet here, because it’s still getting darker.

NBC has now refused to broadcast ads for the Dixie Chicks’ new movie, “Shut Up and Sing.” (See the ad here). This is the same NBC whose censors just finished editing Madonna’s TV special because they didn’t like the religious content. The distributor for the Chicks’ film, The Weinstein Co., says NBC told them that they…

“…cannot accept these spots as they are disparaging to President Bush.”

Harvey Weinstein said in response…

“It’s a sad commentary about the level of fear in our society that a movie about a group of courageous entertainers who were blacklisted for exercising their right of free speech is now itself being blacklisted by corporate America. The idea that anyone should be penalized for criticizing the president is profoundly un-American.”

Indeed, the idea that a national broadcast network would abuse its power by prohibiting the use of public airwaves to promote a legal product on the grounds that it is “disparaging” to the president, is un-American and unacceptable. Since when is the characterization of a president a factor in whether or not a product can be advertised? This policy would also prohibit ads for “Dump Bush” t-shirts or even ads for car dealerships if they employed a silly Bush impersonator.

NBC is owned, don’t forget, by General Electric, the largest defense contractor in the world, and one of the biggest beneficiaries of Bush’s war industry as well as his pro-corporate tax giveaways. They also have a stake in the FCC’s determinations regarding media ownership and consolidation.

The Dixie’s doc tells the story of how they were silenced because they they chose to exercise freedom of speech. Now NBC is silencing them again for much the same reason. Their decision not to air these ads raises the question as to whether they were pressured by Washington to road block the movie, or are acting on their own to prop up their benefactor in the White House. Either way, they are demonstrating that their loyalty is reserved for politicos at BushCo, at the expense of the Constitution, the American people, and free expression.

Write to express yourself (while you still can):
Bob Wright, GE Chairman and Chief Executive Officer, NBC Universal
Jeff Zucker, Chief Executive Officer, NBC Universal Television Group
Randy Falco, Pres and Chief Operating Officer, NBC Universal Television Group
Keith Turner, President/NBC Universal Sales and Marketing
Marianne Gambelli, Exec Vice President/NBC Universal Sales and Marketing
Victoria Morgan, Vice President – Advertising Standards/NBC Universal

Other NBC Network Entertainment Sales & Marketing Contacts
NBC Advertising Standards Guidelines – PDF (See page 11).

Death Of A Prez Ads Nixed By CNN, NPR

Death of a President is a new film that has been generating both controversy and acclaim. It is the winner of the International Critics’ Award from the Toronto Film Festival. The film’s web site describes it as…

“a fictional TV documentary broadcast in 2008, reflecting on another monstrously despicable and cataclysmic event: the assassination of President George W. Bush on October 19th, 2007.”

Sadly, the media’s martinets of virtue are again patrolling the avenues of our psyches, deciding what is safe for our aesthetic consumption.

CNN and NPR are refusing to air advertisements for the film. There is nothing in the ads that is inappropriate for broadcast. Indeed, the ads were approved by the Motion Picture Association of America for all audiences. But that fact has not deterred the programmers from engaging in censorship. CNN issued a brief statement that virtually admits its intention to censor, saying that…

“CNN has decided not to take the ad because of the extreme nature of the movie’s subject matter.”

By basing their decision on the movie’s “subject matter”, they have installed themselves as the public’s nanny. They believe that they are in the best position to decide for us which subjects matter. While they are a couple of yards further over the line than NPR, the public radio network’s excuse is not much better:

“The movie is fairly likely to generate significant controversy and we’ll cover it as a news story. To take a sponsorship spot would raise questions and cause confusion.”

One wonders if that criteria also applies to sponsorships from Ford or McDonald’s. Surely they have generated controversy connected to their products. Has their sponsorship raised questions or caused confusion?

This film already has an uncommon burden to overcome as a result of its premise. Two of the nation’s biggest movie exhibitors, Regal Entertainment and Cinemark USA, have announced that they will not play the movie in any of their ~8000 theaters. Newmarket Films, the movie’s distributor, insists that they will be able to open in plenty of theaters. They say that they are getting support from many exhibitors including the Landmark Theater chain.

These broadcasters and exhibitors, who have appointed themselves the protectors of the public’s tender sensibilities, deny that any partisan motive is at play. But an objective observer would note that they all previously played nice with another controversial release distributed by Newmarket, “The Passion of the Christ.”

So what is the reason that this film is getting such a different reception? It couldn’t be the subject matter, could it? Look at the trends:

  • The Dixie Chicks criticize the president and they’re thrown off the radio. Has that ever happend to a right wing artist?
  • A network TV biopic about Ronald Reagan is protested by conservatives and it gets shuttled off to cable. But ABC’s Path To 9/11 airs despite opposition.
  • An artist exhibits a work entitled, “The Proper Way to Display the Flag,” and the gallery is told to shut it down. But when Bush walks on a flag at Ground Zero, it’s just another photo-op.

It appears that everyone has an equal right to protest, but only Republicans can turn their protests into edicts that deny all Americans access to the embattled works. It’s called censorship, and it’s alive and well in America.

Update: Tim Graham at NewsBusters takes issue with this story. Responding to my criticism of NPR he asks…

“Can’t this blogger differentiate between a Bush assassin and Ronald McDonald?”

Tim is veering off on a detour to address a point that’s right in the middle of the road. If NPR declines an ad for this movie because of the appearance of bias in the event that they cover it editorially, doesn’t that same consideration come into play for any sponsor that they might cover editorially? And by the way, I can differentiate between a Bush assassin and Ronald McDonald. The Bush assassin in the movie harms no one except another character in the film. Ronald McDonald’s influence on real children harms thousands of them every year.

Fox Pulls Clinton Video From YouTube

This weekend’s big interview was the Chris Wallace ambush of Bill Clinton. After promising to divide the time between Clinton’s Global Initiative and everything else, Wallace sandbags Clinton by asking why he didn’t do more to get bin Laden. Clinton wouldn’t take the bait, but did lay into the Fox correspondent, calling it a “conservative hit.”

Ever since, the piece has been replayed and talked about throughout the TV, radio and Internet universe. So, predictably, it ended up on YouTube where its various submissions received more than a million views.

That was until Fox got jealous and insisted that it be removed. This is a perfect demonstration of a corporate media megalith misunderstanding the new media playing field. And it also underscores the necessity of keeping Internet media independent. Just imagine the kind of censorship that would prevail if Fox owned YouTube (or if Viacom, who is currently sniffing around it, did).