Hollywood Celebrities vs. Washington Lobbyists

Last night I attended the Barack Obama fundraiser at the Beverly Wilshire Hotel in Beverly Hills. No, I did not pay $2,500 to see Barbra Streisand serenade the candidate and 800 of his closest Hollywood friends. But I did mingle with these elitists outside of the lobby as the overflow crowd waited to enter the ballroom. I spent much of the two hours handing out my McCain – NOPE stickers to amused guests who didn’t seem too perturbed by the long delay.

From my perspective as an outsider, it was like a big party. The enthusiasm and the turnout surprised even the hosts, who had to deal with a crowd that was 50% bigger than anyone anticipated. And at these prices, that kind of demand is startling. Everyone was excited and festive and more than gracious to this lowly artist who obviously was not in their social strata. It was gratifying to personally put my artwork into the hands of folks like Magic Johnson, Sarah Silverman, and Obama’s campaign manager, David Axelrod.

The distinction between this crowd and the one for John McCain that I encountered a few weeks ago at the Beverly Hilton Hotel (yep, McCain came to Beverly Hills too), was pronounced. McCain’s event, which reportedly earned about $3 million (1/3 of Obama’s take), was subdued and sparsely populated by dour looking people in dark suits. Although Hollywood was represented by actor-elitists Robert Duvall and Jon Voight.

News reports of the Obama/Streisand event have predictably focused on the glamor and the locale. There is a built in presumption on the part of the press that this sort of program is somehow disrespectful to those Americans who are undergoing hardships brought on by the economy or natural disaster. However, Obama’s remarks touched on these matters and he reminded his well-to-do audience that “This is not a reality show.”

“This should be a celebratory evening. We’ve got 48 days to go in a campaign, a campaign that started 19 months ago, at a time when a lot of folks thought we might not get here [but] I’m not in a celebratory mood,”

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[This campaign] is about those who will never see the inside of a building like this and don’t resent the success that’s represented in this room, but just want the simple chance to be able to find a job that pays a living wage.”

Clearly Obama has the American people on his mind. Nevertheless, the media is still portraying the event as a gathering of elitists and allowing McCain to mock the affair and paint Obama as out of touch for having a party while he (McCain) was visiting workers in Ohio. What the press is leaving out is that McCain held his own fundraiser on Monday at the exclusive InterContinental Hotel in Miami. This was the same day that the stock market crashed 500 points. Tickets for his event were $50,000 a piece (twice what Obama’s campaign was charging), and it was attended by a small group of Washington and Florida insiders and lobbyists. Why is there no outrage at this demonstration of McCain’s insensitivity to regular, hard-working Americans? Is it the “liberal” media?

The hypocrisy is veritably dripping from McCain’s wrinkled brow. He criticizes Obama for having Hollywood friends while ignoring his own Tinseltown pals (see Friends of Abe). He blasts Obama for holding a gala just one day after his own ritzy and twice as costly affair in Miami. He promotes his visit with workers despite having voted against their interests (i.e. unions, minimum wage, healthcare, etc.) for 26 years.

When it comes to assessing politicians based on their associations, voters need to ask themselves who has better comprehension of their lives, their aspirations, their ordeals, their hopes. Is it…

Lobbyists, who have devoted their privileged existences to enriching themselves and their multinational corporate clients?
Or is it artists, many of whom started with nothing and achieved success through their creative ability to produce work that regular people can relate to and find inspiration in?

Lobbyists, who are successful when their selfishness and greed produce a transfer of billions of dollars of America’s wealth into the private accounts of profiteers?
Or artists, who are successful when their talent and insight produce empathy, understanding, and, at the very least, entertainment?

Lobbyists, who serve a narrow and powerful clique of clandestine country clubbers?
Or artists, who serve millions of average Americans who feel a personal affinity for them and their work?

For the record, this is not the first time McCain has taken swipes at Streisand. On October 19, 2002, McCain appeared on Saturday Night Live to do a spoof wherein he tortured a selection of Streisand numbers. It was actually pretty funny, but the message was repugnant. At the climax he says…

“Do I know how to sing? About as well as she [Streisand] knows how to govern America!”

If the last 26 years is an example of how well he governs, frankly, I’d rather listen to him sing. The obvious extension of his joke is that anyone who does any job other than serving in Congress is unqualified to have an opinion about what our government does in our name. So McCain has exempted this singer and businesswoman from participation in our democracy. Would he also exempt farmers and teachers, and welders? This is the real elitist bullshit. If we’re qualified to vote them into office, then we’re qualified to comment on the job they are doing. Even if we’re merely artists. (See my essay on Creativism And The Rise Of The Art Insurgency).

Hollywood Celebrities vs. Washington Lobbyists? It’s not even close!

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